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Transversal Enterprises in the Drama of Shakespeare and his Contemporaries

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Cover of 'Transversal Enterprises in the Drama of Shakespeare and his Contemporaries'

Table of Contents

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    Book Overview
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    Chapter 1 Transversal Poetics and Fugitive Explorations: Theaterspace, Paused Consciousness, Subjunctivity, and Macbeth
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    Chapter 2 The Reckoning of Moll Cutpurse: Transversal Reimaginings of The Roaring Girl
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    Chapter 3 The Delusion of Critique: Subjunctive Space, Transversality, and the Conceit of Deceit in Hamlet
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    Chapter 4 Comedic Law: Projective Transversality, Deceit Conceits, and the Conjuring of Macbeth and Doctor Faustus in Jonson’s The Devil is an Ass
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    Chapter 5 I Might Like You Better If We Slept Together: the Historical Drift of Place in The Changeling
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    Chapter 6 Fugitive Explorations in Romeo and Juliet: Searching for Transversality inside the Goldmine of R&Jspace
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    Chapter 7 Viewing Antitheatricality: or, Tamburlaine’s Post-Theater
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    Chapter 8 Becomings Roman/Comings-to-be Villain: Pressurized Belongings and the Coding of Ethnicity, Religion, and Nationality in Peele & Shakespeare’s Titus Andronicus
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    Chapter 9 Awakening the Werewolf Within: Self-help, Vanishing Mediation, and Transversality in The Duchess of Malfi
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    Chapter 10 Performative Transversations: Collaborations Through and Beyond Greene’s Friar Bacon and Friar Bungay
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    Chapter 11 Afterword: Re: connaissance
Attention for Chapter 9: Awakening the Werewolf Within: Self-help, Vanishing Mediation, and Transversality in The Duchess of Malfi
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Chapter title
Awakening the Werewolf Within: Self-help, Vanishing Mediation, and Transversality in The Duchess of Malfi
Chapter number 9
Book title
Transversal Enterprises in the Drama of Shakespeare and his Contemporaries
Published by
Palgrave Macmillan UK, January 2006
DOI 10.1057/9780230584570_9
Book ISBNs
978-0-230-21312-8, 978-0-230-58457-0
Authors

Courtney Lehmann, Bryan Reynolds

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