Table of Contents
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Book Overview
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Chapter 1
Transversal Poetics and Fugitive Explorations: Theaterspace, Paused Consciousness, Subjunctivity, and Macbeth
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Chapter 2
The Reckoning of Moll Cutpurse: Transversal Reimaginings of The Roaring Girl
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Chapter 3
The Delusion of Critique: Subjunctive Space, Transversality, and the Conceit of Deceit in Hamlet
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Chapter 4
Comedic Law: Projective Transversality, Deceit Conceits, and the Conjuring of Macbeth and Doctor Faustus in Jonson’s The Devil is an Ass
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Chapter 5
I Might Like You Better If We Slept Together: the Historical Drift of Place in The Changeling
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Chapter 6
Fugitive Explorations in Romeo and Juliet: Searching for Transversality inside the Goldmine of R&Jspace
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Chapter 7
Viewing Antitheatricality: or, Tamburlaine’s Post-Theater
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Chapter 8
Becomings Roman/Comings-to-be Villain: Pressurized Belongings and the Coding of Ethnicity, Religion, and Nationality in Peele & Shakespeare’s Titus Andronicus
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Chapter 9
Awakening the Werewolf Within: Self-help, Vanishing Mediation, and Transversality in The Duchess of Malfi
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Chapter 10
Performative Transversations: Collaborations Through and Beyond Greene’s Friar Bacon and Friar Bungay
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Chapter 11
Afterword: Re: connaissance
Attention for Chapter 4:
Comedic Law: Projective Transversality, Deceit Conceits, and the Conjuring of Macbeth and Doctor Faustus in Jonson’s The Devil is an Ass