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Fashion and Authorship

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Cover of 'Fashion and Authorship'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Pastoral Authorship and Porcelain Figurines: Pope’s Elite Aesthetic and the Fashionable Decorative Commodity
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    Chapter 3 ‘Magnificent as Well as Singular’: Hester Thrale’s Polynesian Court Dress of 1781
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    Chapter 4 Becoming Somebody: Refashioning the Body Politic in Mary Robinson’s Nobody
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    Chapter 5 Nobleman Incognito: Byron’s Albanian Dress
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    Chapter 6 Fraser’s Magazine and the Instability of Literary Fashion
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    Chapter 7 Fashioning Femininity in the 1840s: Charlotte Brontë and Villette
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    Chapter 8 No Room for the “Woman of Fashion”: Male Authorship, Anti-fashion, and Wilkie Collins’ The Woman in White
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    Chapter 9 The Writer and the Couturière: Authorship and Creative Industry in the 1870s
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    Chapter 10 ‘Down to the last button ... in the fashion of the hour’: Virginia Woolf and the Writer of Modern Fiction
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    Chapter 11 Fashioning Modern and Modernist Authorship: Rebecca West in the 1920s and 1930s
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    Chapter 12 Fashion as Self-Authorship, Escape from Fascist Terror, and Witness Testimony
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    Chapter 13 Fantasies of Femininity Redressed: Angela Carter’s Authorial Self-Fashioning
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    Chapter 14 “Style Description: / Provenance: / Period:”: Martin Margiela, Fashion Authorship, and Romantic Literary History
Attention for Chapter 2: Pastoral Authorship and Porcelain Figurines: Pope’s Elite Aesthetic and the Fashionable Decorative Commodity
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Chapter title
Pastoral Authorship and Porcelain Figurines: Pope’s Elite Aesthetic and the Fashionable Decorative Commodity
Chapter number 2
Book title
Fashion and Authorship
Published by
Palgrave Macmillan, Cham, January 2020
DOI 10.1007/978-3-030-26898-5_2
Book ISBNs
978-3-03-026897-8, 978-3-03-026898-5
Authors

Lauren Miskin

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