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Fashion and Authorship

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Cover of 'Fashion and Authorship'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Pastoral Authorship and Porcelain Figurines: Pope’s Elite Aesthetic and the Fashionable Decorative Commodity
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    Chapter 3 ‘Magnificent as Well as Singular’: Hester Thrale’s Polynesian Court Dress of 1781
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    Chapter 4 Becoming Somebody: Refashioning the Body Politic in Mary Robinson’s Nobody
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    Chapter 5 Nobleman Incognito: Byron’s Albanian Dress
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    Chapter 6 Fraser’s Magazine and the Instability of Literary Fashion
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    Chapter 7 Fashioning Femininity in the 1840s: Charlotte Brontë and Villette
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    Chapter 8 No Room for the “Woman of Fashion”: Male Authorship, Anti-fashion, and Wilkie Collins’ The Woman in White
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    Chapter 9 The Writer and the Couturière: Authorship and Creative Industry in the 1870s
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    Chapter 10 ‘Down to the last button ... in the fashion of the hour’: Virginia Woolf and the Writer of Modern Fiction
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    Chapter 11 Fashioning Modern and Modernist Authorship: Rebecca West in the 1920s and 1930s
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    Chapter 12 Fashion as Self-Authorship, Escape from Fascist Terror, and Witness Testimony
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    Chapter 13 Fantasies of Femininity Redressed: Angela Carter’s Authorial Self-Fashioning
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    Chapter 14 “Style Description: / Provenance: / Period:”: Martin Margiela, Fashion Authorship, and Romantic Literary History
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Title
Fashion and Authorship
Published by
Springer International Publishing, December 2019
DOI 10.1007/978-3-030-26898-5
ISBNs
978-3-03-026897-8, 978-3-03-026898-5
Editors

Egan, Gerald

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 3 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 3 100%

Demographic breakdown

Readers by professional status Count As %
Lecturer 1 33%
Student > Postgraduate 1 33%
Unknown 1 33%
Readers by discipline Count As %
Arts and Humanities 1 33%
Linguistics 1 33%
Unknown 1 33%