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Domestic Labor in Twenty-First Century Latin American Cinema

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Cover of 'Domestic Labor in Twenty-First Century Latin American Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films
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    Chapter 3 Moving Beyond Maternalism: Negotiating Models of Womanhood in La nana , Cama adentro , and Hilda
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    Chapter 4 Leftovers No More: Affect, Food, and Power in Recent Latin American Films on Domestic Work
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    Chapter 5 Serious Camp: Juan Gabriel’s Queer Repertoire in ¿Qué le dijiste a Dios?
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    Chapter 6 Defamiliarizing the Maid: Alicia Scherson’s Play
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    Chapter 7 Beyond Tropes: Otherness and the Identity of the Brazilian Maid in Domésticas-O Filme and Doméstica
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    Chapter 8 Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema
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    Chapter 9 Domestic Labor and the Crisis of Care in La tierra y la sombra and La Sirga
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    Chapter 10 Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake
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    Chapter 11 Filmography
Attention for Chapter 6: Defamiliarizing the Maid: Alicia Scherson’s Play
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