Domestic Labor in Twenty-First Century Latin American Cinema

Chapter 1 Introduction

Chapter 2 Restoring Names, Stories, and Voices for Cinematographic Maids: Toward a New Poetics of Domestic Service in Recent Argentine Films

Chapter 3 Moving Beyond Maternalism: Negotiating Models of Womanhood in La nana , Cama adentro , and Hilda

Chapter 4 Leftovers No More: Affect, Food, and Power in Recent Latin American Films on Domestic Work

Chapter 5 Serious Camp: Juan Gabriel’s Queer Repertoire in ¿Qué le dijiste a Dios?

Chapter 6 Defamiliarizing the Maid: Alicia Scherson’s Play

Chapter 8 Partial Affection: The Place(s) of Female Domestic Workers in Recent Brazilian Cinema

Chapter 9 Domestic Labor and the Crisis of Care in La tierra y la sombra and La Sirga

Chapter 10 Domestic Matters: Hollywood and the Politics of Representing la doméstica in Babel and Cake

Chapter 11 Filmography