Table of Contents
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Book Overview
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Chapter 1
Introduction
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Chapter 2
On the Origins of the Gothic Novel: From Old Norse to Otranto
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Chapter 3
Wollstonecraft’s Wrongs of Woman to Stoker’s Dracula: You’ve Come a Long Way Baby, or Have You?
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Chapter 4
Stoker, Poe, and American Gothic in ‘The Squaw’
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Chapter 5
Bram Stoker and Gothic Transylvania
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Chapter 6
‘Labours of Their Own’: Property, Blood, and the Szgany in Dracula
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Chapter 7
Invasions Real and Imagined: Stoker’s Gothic Narratives
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Chapter 8
‘Gay Motes that People the Sunbeams’: Dust, Death and Degeneration in Dracula
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Chapter 9
The Imprint of the Mother: Bram Stoker’s ‘The Squaw’ and The Jewel of Seven Stars
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Chapter 10
‘Empire of the Air’: Ireland, Aerial Warfare and Futurist Gothic
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Chapter 11
Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry
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Chapter 12
Beyond ‘Hommy-Beg’: Hall Caine’s Place in Dracula
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Chapter 13
The Du Mauriers and Stoker: Gothic Transformations of Whitby and Cornwall
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Chapter 14
The Un-Death of the Author: The Fictional Afterlife of Bram Stoker
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Chapter 15
Gallants, Ghosts, and Gargoyles: Illustrating the Gothic Tale
Attention for Chapter 10:
‘Empire of the Air’: Ireland, Aerial Warfare and Futurist Gothic