Table of Contents
-
Book Overview
-
Chapter 1
Introduction
-
Chapter 2
On the Origins of the Gothic Novel: From Old Norse to Otranto
-
Chapter 3
Wollstonecraft’s Wrongs of Woman to Stoker’s Dracula: You’ve Come a Long Way Baby, or Have You?
-
Chapter 4
Stoker, Poe, and American Gothic in ‘The Squaw’
-
Chapter 5
Bram Stoker and Gothic Transylvania
-
Chapter 6
‘Labours of Their Own’: Property, Blood, and the Szgany in Dracula
-
Chapter 7
Invasions Real and Imagined: Stoker’s Gothic Narratives
-
Chapter 8
‘Gay Motes that People the Sunbeams’: Dust, Death and Degeneration in Dracula
-
Chapter 9
The Imprint of the Mother: Bram Stoker’s ‘The Squaw’ and The Jewel of Seven Stars
-
Chapter 10
‘Empire of the Air’: Ireland, Aerial Warfare and Futurist Gothic
-
Chapter 11
Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry
-
Chapter 12
Beyond ‘Hommy-Beg’: Hall Caine’s Place in Dracula
-
Chapter 13
The Du Mauriers and Stoker: Gothic Transformations of Whitby and Cornwall
-
Chapter 14
The Un-Death of the Author: The Fictional Afterlife of Bram Stoker
-
Chapter 15
Gallants, Ghosts, and Gargoyles: Illustrating the Gothic Tale
Attention for Chapter 6:
‘Labours of Their Own’: Property, Blood, and the Szgany in Dracula