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New Perspectives on the War Film

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Cover of 'New Perspectives on the War Film'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Women and Nation in Films of the Great War
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    Chapter 3 Vamps and Virgins: The Women of 1920s Hollywood War Romances
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    Chapter 4 Rafi Bukaee’s Avanti Popolo Bukaee, Rafi Avanti Popolo (dir. Rafi Bukaee) : Telling the War from the Traumatized Perpetrator’s Perspective
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    Chapter 5 The Other Fights Back: Indigenizing the War Film
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    Chapter 6 Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How Silent War Films Discuss Homosexuality and Gender Representations During World War One
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    Chapter 7 Black Skin, White Faces: Dead Presidents and the African-American Vietnam Veteran
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    Chapter 8 “So Long as They Are Maintaining a Bona Fide Family Relationship in the Home”: Women in World War II American Film Propaganda
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    Chapter 9 Post-socialist Hauntings in Vietnamese Revisionist Cinema
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    Chapter 10 The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century
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    Chapter 11 Rebelle Rebel: African Child Soldiers, Gender, and the War Film
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    Chapter 12 Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008)
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    Chapter 13 The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies
Attention for Chapter 6: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How Silent War Films Discuss Homosexuality and Gender Representations During World War One
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