New Perspectives on the War Film

Chapter 1 Introduction

Chapter 2 Women and Nation in Films of the Great War

Chapter 4 Rafi Bukaee’s Avanti Popolo Bukaee, Rafi Avanti Popolo (dir. Rafi Bukaee) : Telling the War from the Traumatized Perpetrator’s Perspective

Chapter 5 The Other Fights Back: Indigenizing the War Film

Chapter 6 Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How Silent War Films Discuss Homosexuality and Gender Representations During World War One

Chapter 7 Black Skin, White Faces: Dead Presidents and the African-American Vietnam Veteran

Chapter 8 “So Long as They Are Maintaining a Bona Fide Family Relationship in the Home”: Women in World War II American Film Propaganda

Chapter 9 Post-socialist Hauntings in Vietnamese Revisionist Cinema

Chapter 10 The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century

Chapter 11 Rebelle Rebel: African Child Soldiers, Gender, and the War Film

Chapter 12 Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008)

Chapter 13 The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies