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Sound, Media, Ecology

Overview of attention for book
Cover of 'Sound, Media, Ecology'

Table of Contents

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    Book Overview
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    Chapter 1 Sound, Media, Ecology: Introduction in Three Acts
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    Chapter 2 Acoustic Ecology and the World Soundscape Project
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    Chapter 3 The Disruptive Nature of Listening: Today, Yesterday, Tomorrow
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    Chapter 4 Local Ear donances: Raymond Murray Schafer’s Contribution to the History and Present-Day Practice of Noise Abatement
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    Chapter 5 Multimodal Scholarship in World Soundscape Project Composition: Toward a Different Media-Theoretical Legacy (Or: The WSP as OG DH)
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    Chapter 6 Nothing Connects Us but Imagined Sound
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    Chapter 7 Havana’s Falling Tanks and Flooded Laneways: Examining the Acoustic Community
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    Chapter 8 Acoustic Ecology and Ecological Sound Art: Listening to Changing Ecosystems
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    Chapter 9 Listening to Renewable Energy Technologies
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    Chapter 10 The Uncanny Soundscapes of the Palestinian Exile: Rethinking Technics, Memory, and Sound
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    Chapter 11 Responsive Listening: Negotiating Cities of Sirens, Smartphones and Sensors
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    Chapter 12 Listening to Traffic with Guts and Antennae
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    Chapter 13 Acouscenic Listening
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    Chapter 14 Evening of Sounds: Auditory Cultures in Radio Call-in Programmes
Attention for Chapter 1: Sound, Media, Ecology: Introduction in Three Acts
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Citations

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Chapter title
Sound, Media, Ecology: Introduction in Three Acts
Chapter number 1
Book title
Sound, Media, Ecology
Published by
Palgrave Macmillan, Cham, January 2019
DOI 10.1007/978-3-030-16569-7_1
Book ISBNs
978-3-03-016568-0, 978-3-03-016569-7
Authors

Milena Droumeva, Randolph Jordan

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 5 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 5 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 1 20%
Unknown 4 80%
Readers by discipline Count As %
Unknown 5 100%

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