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Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000

Overview of attention for book
Cover of 'Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction Rewriting Early Chinese Zaju Song-Drama for Transnational, National, and Local Contexts
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    Chapter 2 Art Song Anthologies, Editorial Attributions, and the Cult of Affect: Guan Hanqing ( ca . 1220– ca . 1300) and the Transformation of Attestatory Authorship
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    Chapter 3 Early Song-Drama Collections, Examination Requirements, and the Exigencies of Desire: Li Kaixian (1502–68), Zang Maoxun (1550–1620), and the Uses of Reproductive Authorship
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    Chapter 4 Xixiang ji Editions, the Bookmarket, and the Discourse on Obscenity: Wang Jide ( d . 1623), Jin Shengtan (1608–61), and the Creation of Uncommon Readers
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    Chapter 5 Conclusion Thinking Through Authors, Readers, and Desire
Attention for Chapter 2: Art Song Anthologies, Editorial Attributions, and the Cult of Affect: Guan Hanqing ( ca . 1220– ca . 1300) and the Transformation of Attestatory Authorship
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