↓ Skip to main content
What is this page? Embed badge

Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000

Overview of attention for book
Cover of 'Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000'

Table of Contents

  1. Altmetric Badge
    Book Overview
  2. Altmetric Badge
    Chapter 1 Introduction Rewriting Early Chinese Zaju Song-Drama for Transnational, National, and Local Contexts
  3. Altmetric Badge
    Chapter 2 Art Song Anthologies, Editorial Attributions, and the Cult of Affect: Guan Hanqing ( ca . 1220– ca . 1300) and the Transformation of Attestatory Authorship
  4. Altmetric Badge
    Chapter 3 Early Song-Drama Collections, Examination Requirements, and the Exigencies of Desire: Li Kaixian (1502–68), Zang Maoxun (1550–1620), and the Uses of Reproductive Authorship
  5. Altmetric Badge
    Chapter 4 Xixiang ji Editions, the Bookmarket, and the Discourse on Obscenity: Wang Jide ( d . 1623), Jin Shengtan (1608–61), and the Creation of Uncommon Readers
  6. Altmetric Badge
    Chapter 5 Conclusion Thinking Through Authors, Readers, and Desire
Attention for Chapter 5: Conclusion Thinking Through Authors, Readers, and Desire
Altmetric Badge

Citations

dimensions_citation
15 Dimensions
Summary Dimensions citations
You are seeing a free-to-access but limited selection of the activity Altmetric has collected about this research output. Click here to find out more.
Chapter title
Conclusion Thinking Through Authors, Readers, and Desire
Chapter number 5
Book title
Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000
Published by
Palgrave Macmillan, New York, January 2003
DOI 10.1057/9781403982490_5
Book ISBNs
978-1-349-52671-0, 978-1-4039-8249-0
Authors

Patricia Sieber, Sieber, Patricia

View on publisher site

This page is provided by Altmetric.