Chapter 1 Introduction

Chapter 3 The Translator’s Visibility in Early Printed Portrait-Images and the Ambiguous Example of Margaret More Roper

Chapter 4 Textual Standard-Bearers: Translated Titles and Early Modern English Print

Chapter 5 Spain in Translation: Peritextual Representations of Cultural Difference, 1614–1625

Chapter 6 Knights, Schoolmasters, and ‘Lusty Ladies White’: Addressing Readers in the Paratexts of Gavin Douglas’s Fourth Book of Eneados (1513–1553)

Chapter 7 Approaching Petrarch’s Trionfi: Paratexts in the Early Modern Scottish Translations

Chapter 8 Marketing Utopia: The Protean Paratexts in Ralph Robinson’s English Translation

Chapter 9 Mirrors for Princes: Paratexts and Political Stance in Henry Carey’s Translations of Romulo and Il Tarquinio Superbo by Virgilio Malvezzi

Chapter 10 The Paratexts to Ben Jonson’s Translation of Horace’s Ars poetica (1640): A Contemporary Reading of Jonson’s Poetics

Chapter 11 Translation and the English Book Trade c.1640–1660: The Cases of Humphrey Moseley and William London