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Nationalism in Contemporary Western European Cinema

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Cover of 'Nationalism in Contemporary Western European Cinema'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: On the Visual Cultures of the New Nationalisms
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    Chapter 2 The ‘Liberal Left’ Response to Twenty-First Century Nationalism: Le Week-end (2013) and I, Daniel Blake (2016)
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    Chapter 3 From Down Terrace to High-Rise : The ‘Unreal Estate’ Cinema of Ben Wheatley
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    Chapter 4 Approaches to Othered Identities and Spaces in French Cinema
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    Chapter 5 Documenting the Charlie Hebdo Tragedy
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    Chapter 6 Diasporic Belgian Cinema: Transnational and Transcultural Approaches to Molenbeek and Matonge in Black
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    Chapter 7 The Freedom to Make Racial Jokes: Satires on Nationalism and Multicultural Comedies in Dutch Cinema
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    Chapter 8 Building Bridges: Fatih Akin and the Cinema of Intercultural Dialogue
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    Chapter 9 “ Kapitalismus tötet ”: Liquid National Identities in the Cinema of the Berlin School
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    Chapter 10 Resistance Against Itself: Austrian Cinema’s Responses to the Far-Right
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    Chapter 11 Frivolity and Place Branding in Martínez Lázaro’s ‘Nationalist Comedies’
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    Chapter 12 After the Crisis: Europe and Nationhood in Twenty-First-Century Portuguese Cinema
Attention for Chapter 2: The ‘Liberal Left’ Response to Twenty-First Century Nationalism: Le Week-end (2013) and I, Daniel Blake (2016)
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Chapter title
The ‘Liberal Left’ Response to Twenty-First Century Nationalism: Le Week-end (2013) and I, Daniel Blake (2016)
Chapter number 2
Book title
Nationalism in Contemporary Western European Cinema
Published by
Palgrave Macmillan, Cham, January 2018
DOI 10.1007/978-3-319-73667-9_2
Book ISBNs
978-3-31-973666-2, 978-3-31-973667-9
Authors

John White

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