Nationalism in Contemporary Western European Cinema

Chapter 1 Introduction: On the Visual Cultures of the New Nationalisms

Chapter 2 The ‘Liberal Left’ Response to Twenty-First Century Nationalism: Le Week-end (2013) and I, Daniel Blake (2016)

Chapter 3 From Down Terrace to High-Rise : The ‘Unreal Estate’ Cinema of Ben Wheatley

Chapter 4 Approaches to Othered Identities and Spaces in French Cinema

Chapter 6 Diasporic Belgian Cinema: Transnational and Transcultural Approaches to Molenbeek and Matonge in Black

Chapter 7 The Freedom to Make Racial Jokes: Satires on Nationalism and Multicultural Comedies in Dutch Cinema

Chapter 8 Building Bridges: Fatih Akin and the Cinema of Intercultural Dialogue

Chapter 9 “ Kapitalismus tötet ”: Liquid National Identities in the Cinema of the Berlin School

Chapter 10 Resistance Against Itself: Austrian Cinema’s Responses to the Far-Right

Chapter 11 Frivolity and Place Branding in Martínez Lázaro’s ‘Nationalist Comedies’

Chapter 12 After the Crisis: Europe and Nationhood in Twenty-First-Century Portuguese Cinema