Chapter 1 Introduction

Chapter 2 The Book on the Screen: Shakespeare Films and Textual Culture

Chapter 3 The Postmodern Theatre of Paul Mazursky’s Tempest

Chapter 4 Camp Richard III and the Burdens of (Stage/Film) History

Chapter 5 Shakespeare Meets The Godfather : The Postmodern Populism of Al Pacino’s Looking for Richard

Chapter 6 Urban Dystopias: Reapproaching Christine Edzard’s As You Like It

Chapter 7 Impressions of Fantasy: Adrian Noble’s A Midsummer Night’s Dream

Chapter 9 ‘These Violent Delights Have Violent Ends’: Baz Luhrmann’s Millennial Shakespeare

Chapter 10 ‘Either for tragedy, comedy’: Attitudes to Hamlet in Kenneth Branagh’s In the Bleak Midwinter and Hamlet

Chapter 11 The End of History and the Last Man: Kenneth Branagh’s Hamlet

Chapter 12 From the Horse’s Mouth: Branagh on the Bard

Chapter 13 Virgin and Ape, Venetian and Infidel: Labellings of Otherness in Oliver Parker’s Othello

Chapter 14 Shakespeare in Love and the End of the Shakespearean: Academic and Mass Culture Constructions of Literary Authorship