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Shakespeare, Film, Fin de Siècle

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Cover of 'Shakespeare, Film, Fin de Siècle'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Book on the Screen: Shakespeare Films and Textual Culture
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    Chapter 3 The Postmodern Theatre of Paul Mazursky’s Tempest
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    Chapter 4 Camp Richard III and the Burdens of (Stage/Film) History
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    Chapter 5 Shakespeare Meets The Godfather : The Postmodern Populism of Al Pacino’s Looking for Richard
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    Chapter 6 Urban Dystopias: Reapproaching Christine Edzard’s As You Like It
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    Chapter 7 Impressions of Fantasy: Adrian Noble’s A Midsummer Night’s Dream
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    Chapter 8 ‘The Way the World is Now’: Love in the Troma Zone
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    Chapter 9 ‘These Violent Delights Have Violent Ends’: Baz Luhrmann’s Millennial Shakespeare
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    Chapter 10 ‘Either for tragedy, comedy’: Attitudes to Hamlet in Kenneth Branagh’s In the Bleak Midwinter and Hamlet
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    Chapter 11 The End of History and the Last Man: Kenneth Branagh’s Hamlet
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    Chapter 12 From the Horse’s Mouth: Branagh on the Bard
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    Chapter 13 Virgin and Ape, Venetian and Infidel: Labellings of Otherness in Oliver Parker’s Othello
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    Chapter 14 Shakespeare in Love and the End of the Shakespearean: Academic and Mass Culture Constructions of Literary Authorship
Attention for Chapter 9: ‘These Violent Delights Have Violent Ends’: Baz Luhrmann’s Millennial Shakespeare
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Chapter title
‘These Violent Delights Have Violent Ends’: Baz Luhrmann’s Millennial Shakespeare
Chapter number 9
Book title
Shakespeare, Film, Fin de Siècle
Published by
Palgrave Macmillan UK
DOI 10.1057/9780230286795_9
Book ISBNs
978-0-333-77664-3, 978-0-230-28679-5
Authors

Loehlin, James N.

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