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Rereading Shepard

Overview of attention for book
Cover of 'Rereading Shepard'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Artifacts: The Early Plays Reconsidered
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    Chapter 3 Potential Performance Texts for The Rock Garden and 4-H Club
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    Chapter 4 The Desert and the City: Operation Sidewinder and Shepard’s Postmodern Allegory
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    Chapter 5 Memory and Mind: Sam Shepard’s Geography of a Horse Dreamer
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    Chapter 6 Shepard’s Challenge to the Modernist Myths of Origin and Originality: Angel City and True West
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    Chapter 7 True Stories: Reading the Autobiographic in Cowboy Mouth, ‘True Dylan’ and Buried Child
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    Chapter 8 Shepard’s Family Trilogy and the Conventions of Modern Realism
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    Chapter 9 A Kind of Cavorting: Superpresence and Shepard’s Family Dramas
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    Chapter 10 Speaking Without Words: the Myth of Masculine Autonomy in Sam Shepard’s Fool for Love
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    Chapter 11 When a Woman Looks: The ‘Other’ Audience of Shepard’s Plays
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    Chapter 12 Lighting Out for the Territory Within: Field Notes on Shepard’s Expressionist Vision
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    Chapter 13 ‘I Smash the Tools of my Captivity’: The Feminine in Sam Shepard’s A Lie of the Mind
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    Chapter 14 A Motel of the Mind: Fool for Love and A Lie of the Mind
Attention for Chapter 13: ‘I Smash the Tools of my Captivity’: The Feminine in Sam Shepard’s A Lie of the Mind
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Citations

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Chapter title
‘I Smash the Tools of my Captivity’: The Feminine in Sam Shepard’s A Lie of the Mind
Chapter number 13
Book title
Rereading Shepard
Published by
Palgrave Macmillan, London, January 1993
DOI 10.1007/978-1-349-22509-5_13
Book ISBNs
978-1-349-22511-8, 978-1-349-22509-5
Authors

Jane Ann Crum, Crum, Jane Ann

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Student > Master 1 100%
Readers by discipline Count As %
Arts and Humanities 1 100%

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