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Rereading Shepard

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Cover of 'Rereading Shepard'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Artifacts: The Early Plays Reconsidered
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    Chapter 3 Potential Performance Texts for The Rock Garden and 4-H Club
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    Chapter 4 The Desert and the City: Operation Sidewinder and Shepard’s Postmodern Allegory
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    Chapter 5 Memory and Mind: Sam Shepard’s Geography of a Horse Dreamer
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    Chapter 6 Shepard’s Challenge to the Modernist Myths of Origin and Originality: Angel City and True West
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    Chapter 7 True Stories: Reading the Autobiographic in Cowboy Mouth, ‘True Dylan’ and Buried Child
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    Chapter 8 Shepard’s Family Trilogy and the Conventions of Modern Realism
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    Chapter 9 A Kind of Cavorting: Superpresence and Shepard’s Family Dramas
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    Chapter 10 Speaking Without Words: the Myth of Masculine Autonomy in Sam Shepard’s Fool for Love
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    Chapter 11 When a Woman Looks: The ‘Other’ Audience of Shepard’s Plays
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    Chapter 12 Lighting Out for the Territory Within: Field Notes on Shepard’s Expressionist Vision
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    Chapter 13 ‘I Smash the Tools of my Captivity’: The Feminine in Sam Shepard’s A Lie of the Mind
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    Chapter 14 A Motel of the Mind: Fool for Love and A Lie of the Mind
Attention for Chapter 7: True Stories: Reading the Autobiographic in Cowboy Mouth, ‘True Dylan’ and Buried Child
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Chapter title
True Stories: Reading the Autobiographic in Cowboy Mouth, ‘True Dylan’ and Buried Child
Chapter number 7
Book title
Rereading Shepard
Published by
Palgrave Macmillan, London, January 1993
DOI 10.1007/978-1-349-22509-5_7
Book ISBNs
978-1-349-22511-8, 978-1-349-22509-5
Authors

Ann Wilson, Wilson, Ann

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