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The English Renaissance in Popular Culture

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Cover of 'The English Renaissance in Popular Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: An Age for All Time
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    Chapter 2 Henry’s Desperate Housewives: The Tudors , the Politics of Historiography, and the Beautiful Body of Jonathan Rhys Meyers
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    Chapter 3 The Secret Life of Elizabeth I
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    Chapter 4 Where the Maps End: Elizabeth: The Golden Age of Simulacra
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    Chapter 5 Looking Up to the Groundlings: Representing the Renaissance Audience in Contemporary Fiction and Film
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    Chapter 6 London’s Burning: Remembering Guy Fawkes and Seventeenth-Century Conflict in V for Vendetta
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    Chapter 7 Reading the Early Modern Witch: Horror Films of the 1960s and 1970s
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    Chapter 8 “Sportful Combat” Gets Medieval: The Representation of Historical Violence at Renaissance Fairs
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    Chapter 9 The First Adaptation of Shakespeare and the Recovery of the “Renaissance” Voice: Sam Taylor’s The Taming of the Shrew
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    Chapter 10 God Save the Queene: Sex Pistols, Shakespeare, and Punk [Anti-]History
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    Chapter 11 Jacques Rivette and Film Adaptation as “Dérive-ation”: Pericles in Paris Belongs to Us and The Revenger’s Tragedy in Noiroit
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    Chapter 12 Alex Cox’s Revenger’s Tragedy and the Foreclosure of Apocalyptic Teleology
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    Chapter 13 Forget Film: Speculations on Shakespearean Entertainment Value
Attention for Chapter 12: Alex Cox’s Revenger’s Tragedy and the Foreclosure of Apocalyptic Teleology
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Summary
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Chapter title
Alex Cox’s Revenger’s Tragedy and the Foreclosure of Apocalyptic Teleology
Chapter number 12
Book title
The English Renaissance in Popular Culture
Published by
Palgrave Macmillan, New York, January 2010
DOI 10.1057/9780230106444_12
Book ISBNs
978-1-349-28648-5, 978-0-230-10644-4
Authors

James R. Keller

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