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The English Renaissance in Popular Culture

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Cover of 'The English Renaissance in Popular Culture'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: An Age for All Time
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    Chapter 2 Henry’s Desperate Housewives: The Tudors , the Politics of Historiography, and the Beautiful Body of Jonathan Rhys Meyers
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    Chapter 3 The Secret Life of Elizabeth I
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    Chapter 4 Where the Maps End: Elizabeth: The Golden Age of Simulacra
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    Chapter 5 Looking Up to the Groundlings: Representing the Renaissance Audience in Contemporary Fiction and Film
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    Chapter 6 London’s Burning: Remembering Guy Fawkes and Seventeenth-Century Conflict in V for Vendetta
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    Chapter 7 Reading the Early Modern Witch: Horror Films of the 1960s and 1970s
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    Chapter 8 “Sportful Combat” Gets Medieval: The Representation of Historical Violence at Renaissance Fairs
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    Chapter 9 The First Adaptation of Shakespeare and the Recovery of the “Renaissance” Voice: Sam Taylor’s The Taming of the Shrew
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    Chapter 10 God Save the Queene: Sex Pistols, Shakespeare, and Punk [Anti-]History
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    Chapter 11 Jacques Rivette and Film Adaptation as “Dérive-ation”: Pericles in Paris Belongs to Us and The Revenger’s Tragedy in Noiroit
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    Chapter 12 Alex Cox’s Revenger’s Tragedy and the Foreclosure of Apocalyptic Teleology
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    Chapter 13 Forget Film: Speculations on Shakespearean Entertainment Value
Attention for Chapter 9: The First Adaptation of Shakespeare and the Recovery of the “Renaissance” Voice: Sam Taylor’s The Taming of the Shrew
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Chapter title
The First Adaptation of Shakespeare and the Recovery of the “Renaissance” Voice: Sam Taylor’s The Taming of the Shrew
Chapter number 9
Book title
The English Renaissance in Popular Culture
Published by
Palgrave Macmillan, New York, January 2010
DOI 10.1057/9780230106444_9
Book ISBNs
978-1-349-28648-5, 978-0-230-10644-4
Authors

Deborah Cartmell

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