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Performing Site-Specific Theatre

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Cover of 'Performing Site-Specific Theatre'

Table of Contents

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    Book Overview
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    Chapter 1 The ‘Place’ and Practice of Site-Specific Theatre and Performance
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    Chapter 2 Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-Specific Performance
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    Chapter 3 Rehearsing across Space and Place: Rethinking A Masque Presented at Ludlow Castle
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    Chapter 4 Embodied Presence and Dislocated Spaces: Playing the Audience in Ten Thousand Several Doors in a Promenade, Site-Specific Performance of John Webster’s The Duchess of Malfi
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    Chapter 5 Haunted House: Staging The Persians with the British Army
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    Chapter 6 Toiling, Tolling, and Telling: Performing Dissensus
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    Chapter 7 Beyond Site-Specificity: Environmental Heterocosms on the Street
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    Chapter 8 Repetition and Performativity: Site-Specific Performance and Film as Living Monument
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    Chapter 9 Contemporary Ekkeklemas in Site-Specific Performance
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    Chapter 10 ‘Places, Like Property Prices, Go Up and Down’: Site-Specificity, Regeneration, and The Margate Exodus
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    Chapter 11 Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-Specific Performance
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    Chapter 12 Immersive Negotiations: Binaural Perspectives on Site-Specific Sound
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    Chapter 13 My Sites Set on You: Site-Specificity and Subjectivity in ‘Intimate Theatre’
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    Chapter 14 Siting the People: Power, Protest, and Public Space
Attention for Chapter 11: Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-Specific Performance
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Chapter title
Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-Specific Performance
Chapter number 11
Book title
Performing Site-Specific Theatre
Published by
Palgrave Macmillan, London, January 2012
DOI 10.1057/9781137283498_11
Book ISBNs
978-0-230-36406-6, 978-1-137-28349-8
Authors

Keren Zaiontz, Zaiontz, Keren

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