Performing Site-Specific Theatre

Chapter 1 The ‘Place’ and Practice of Site-Specific Theatre and Performance

Chapter 2 Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-Specific Performance

Chapter 3 Rehearsing across Space and Place: Rethinking A Masque Presented at Ludlow Castle

Chapter 4 Embodied Presence and Dislocated Spaces: Playing the Audience in Ten Thousand Several Doors in a Promenade, Site-Specific Performance of John Webster’s The Duchess of Malfi

Chapter 5 Haunted House: Staging The Persians with the British Army

Chapter 6 Toiling, Tolling, and Telling: Performing Dissensus

Chapter 7 Beyond Site-Specificity: Environmental Heterocosms on the Street

Chapter 8 Repetition and Performativity: Site-Specific Performance and Film as Living Monument

Chapter 9 Contemporary Ekkeklemas in Site-Specific Performance

Chapter 10 ‘Places, Like Property Prices, Go Up and Down’: Site-Specificity, Regeneration, and The Margate Exodus

Chapter 11 Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-Specific Performance

Chapter 12 Immersive Negotiations: Binaural Perspectives on Site-Specific Sound

Chapter 13 My Sites Set on You: Site-Specificity and Subjectivity in ‘Intimate Theatre’

Chapter 14 Siting the People: Power, Protest, and Public Space