Chapter 1 Introduction: Mapping East Asia’s Cinemascape

Chapter 2 Transnational Trajectories in Contemporary East Asian Cinemas

Chapter 4 Bicycle Thieves and Pickpockets in the “Desert of the Real”: Transnational Chinese Cinema, Postmodernism, and the Transcendental Style

Chapter 5 007 in Late Colonial Hong Kong: Technology, Masculinity, and Sly Humor in Stephen Chow’s From Beijing with Love

Chapter 6 “Asia” as Regional Signifier and Transnational Genre-Branding: The Asian Horror Omnibus Movies Three and Three … Extremes

Chapter 7 J-Horror and Kimchi Western: Mobile Genres in East Asian Cinemas

Chapter 8 Rethinking a New National Identity in Heisei Japan: Neo-Conservatism and Japanese Cinema

Chapter 9 Cinematic Imagination of Border-Crossing in Hong Kong and the Pearl River Delta: Comrades, Almost a Love Story and Durian, Durian

Chapter 10 In the Name of “Asia”: Practices and Consequences of Recent International Film Co-Productions in East Asia

Chapter 11 Framing Tokyo Media Capital and Asian Co-Production

Chapter 12 “Working Through China” in the Pan-Asian Film Network: Perspectives from Hong Kong and Singapore