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East Asian Cinemas

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Cover of 'East Asian Cinemas'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Mapping East Asia’s Cinemascape
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    Chapter 2 Transnational Trajectories in Contemporary East Asian Cinemas
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    Chapter 3 Hollywood’s Global Strategy and the Future of Chinese Cinema
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    Chapter 4 Bicycle Thieves and Pickpockets in the “Desert of the Real”: Transnational Chinese Cinema, Postmodernism, and the Transcendental Style
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    Chapter 5 007 in Late Colonial Hong Kong: Technology, Masculinity, and Sly Humor in Stephen Chow’s From Beijing with Love
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    Chapter 6 “Asia” as Regional Signifier and Transnational Genre-Branding: The Asian Horror Omnibus Movies Three and Three … Extremes
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    Chapter 7 J-Horror and Kimchi Western: Mobile Genres in East Asian Cinemas
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    Chapter 8 Rethinking a New National Identity in Heisei Japan: Neo-Conservatism and Japanese Cinema
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    Chapter 9 Cinematic Imagination of Border-Crossing in Hong Kong and the Pearl River Delta: Comrades, Almost a Love Story and Durian, Durian
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    Chapter 10 In the Name of “Asia”: Practices and Consequences of Recent International Film Co-Productions in East Asia
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    Chapter 11 Framing Tokyo Media Capital and Asian Co-Production
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    Chapter 12 “Working Through China” in the Pan-Asian Film Network: Perspectives from Hong Kong and Singapore
Attention for Chapter 7: J-Horror and Kimchi Western: Mobile Genres in East Asian Cinemas
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Chapter title
J-Horror and Kimchi Western: Mobile Genres in East Asian Cinemas
Chapter number 7
Book title
East Asian Cinemas
Published by
Palgrave Macmillan, London, January 2011
DOI 10.1057/9780230307186_7
Book ISBNs
978-1-349-32559-7, 978-0-230-30718-6
Authors

Vivian P. Y. Lee

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