Encountering sound: the musical dimensions of silent cinema
Article in Journal of Aesthetics & Culture (January 2018)
The most recent citing publication is shown below. View this citation on Dimensions.
Today’s Sounds for Yesterday’s Films
Overview of attention for book
Table of Contents
-
Altmetric BadgeBook Overview
-
Altmetric BadgeChapter 1 Music and the Resurfacing of Silent Film: A General Introduction
-
Altmetric BadgeChapter 2 How Far Can Too Far Go? Radical Approaches to Silent Film Music
-
Altmetric BadgeChapter 3 Between Practice and Theory: Silent Film Sound and the Music Archive
-
Altmetric BadgeChapter 4 Gottfried Huppertz’s Metropolis: The Acme of ‘Cinema Music’
-
Altmetric BadgeChapter 5 The Music of The Circus
-
Altmetric BadgeChapter 6 Cowboys, Beggars and the ‘Deep Ellum Blues’: Playing Authentic to Silent Films
-
Altmetric BadgeChapter 7 Bringing a Little Munich Disco to Babelsberg: Giorgio Moroder’s Score for Metropolis
-
Altmetric BadgeChapter 8 Soviet Fidelity and the Pet Shop Boys
-
Altmetric BadgeChapter 9 Multiple Soundtrack Versions on DVD: Scoring Modern City Life and Pastoral Countryside
-
Altmetric BadgeChapter 10 Edit’s Hand: Music to The Phantom Carriage
-
Altmetric BadgeChapter 11 Scoring Ruttmann’s Berlin: Musical Meaning in Historical and Critical Contexts
-
Altmetric BadgeChapter 12 Silent Film, Live Music and Contemporary Composition
-
Altmetric BadgeChapter 13 To be in Dialogue with the Film: With Neil Brand and Lillian Henley at the Master Classes at Pordenone Silent Film Festival
Attention for Chapter 9:
Multiple Soundtrack Versions on DVD: Scoring Modern City Life and Pastoral Countryside