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Today’s Sounds for Yesterday’s Films

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Cover of 'Today’s Sounds for Yesterday’s Films'

Table of Contents

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    Book Overview
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    Chapter 1 Music and the Resurfacing of Silent Film: A General Introduction
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    Chapter 2 How Far Can Too Far Go? Radical Approaches to Silent Film Music
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    Chapter 3 Between Practice and Theory: Silent Film Sound and the Music Archive
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    Chapter 4 Gottfried Huppertz’s Metropolis: The Acme of ‘Cinema Music’
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    Chapter 5 The Music of The Circus
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    Chapter 6 Cowboys, Beggars and the ‘Deep Ellum Blues’: Playing Authentic to Silent Films
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    Chapter 7 Bringing a Little Munich Disco to Babelsberg: Giorgio Moroder’s Score for Metropolis
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    Chapter 8 Soviet Fidelity and the Pet Shop Boys
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    Chapter 9 Multiple Soundtrack Versions on DVD: Scoring Modern City Life and Pastoral Countryside
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    Chapter 10 Edit’s Hand: Music to The Phantom Carriage
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    Chapter 11 Scoring Ruttmann’s Berlin: Musical Meaning in Historical and Critical Contexts
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    Chapter 12 Silent Film, Live Music and Contemporary Composition
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    Chapter 13 To be in Dialogue with the Film: With Neil Brand and Lillian Henley at the Master Classes at Pordenone Silent Film Festival
Attention for Chapter 12: Silent Film, Live Music and Contemporary Composition
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Citations

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Chapter title
Silent Film, Live Music and Contemporary Composition
Chapter number 12
Book title
Today’s Sounds for Yesterday’s Films
Published by
Palgrave Macmillan, London, January 2016
DOI 10.1057/9781137466365_12
Book ISBNs
978-1-349-57913-6, 978-1-137-46636-5
Authors

Ed Hughes

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 2 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 2 100%

Demographic breakdown

Readers by professional status Count As %
Student > Bachelor 2 100%
Readers by discipline Count As %
Arts and Humanities 1 50%
Linguistics 1 50%

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