Encountering sound: the musical dimensions of silent cinema
Article in Journal of Aesthetics & Culture (January 2018)
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Today’s Sounds for Yesterday’s Films
Overview of attention for book
Table of Contents
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Altmetric BadgeBook Overview
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Altmetric BadgeChapter 1 Music and the Resurfacing of Silent Film: A General Introduction
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Altmetric BadgeChapter 2 How Far Can Too Far Go? Radical Approaches to Silent Film Music
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Altmetric BadgeChapter 3 Between Practice and Theory: Silent Film Sound and the Music Archive
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Altmetric BadgeChapter 4 Gottfried Huppertz’s Metropolis: The Acme of ‘Cinema Music’
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Altmetric BadgeChapter 5 The Music of The Circus
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Altmetric BadgeChapter 6 Cowboys, Beggars and the ‘Deep Ellum Blues’: Playing Authentic to Silent Films
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Altmetric BadgeChapter 7 Bringing a Little Munich Disco to Babelsberg: Giorgio Moroder’s Score for Metropolis
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Altmetric BadgeChapter 8 Soviet Fidelity and the Pet Shop Boys
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Altmetric BadgeChapter 9 Multiple Soundtrack Versions on DVD: Scoring Modern City Life and Pastoral Countryside
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Altmetric BadgeChapter 10 Edit’s Hand: Music to The Phantom Carriage
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Altmetric BadgeChapter 11 Scoring Ruttmann’s Berlin: Musical Meaning in Historical and Critical Contexts
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Altmetric BadgeChapter 12 Silent Film, Live Music and Contemporary Composition
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Altmetric BadgeChapter 13 To be in Dialogue with the Film: With Neil Brand and Lillian Henley at the Master Classes at Pordenone Silent Film Festival
Attention for Chapter 6:
Cowboys, Beggars and the ‘Deep Ellum Blues’: Playing Authentic to Silent Films