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The New Woman in Fiction and Fact

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Cover of 'The New Woman in Fiction and Fact'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 ‘Nothing But Foolscap and Ink’: Inventing the New Woman
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    Chapter 3 ‘Heaven defend me from political or highly-educated women!’: Packaging the New Woman for Mass Consumption
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    Chapter 4 Horses, Bikes and Automobiles: New Woman on the Move
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    Chapter 5 Ibsen, the New Woman and the Actress
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    Chapter 6 ‘He-Notes’: Reconstructing Masculinity
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    Chapter 7 New Women and the New Hellenism
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    Chapter 8 Narrating the Hysteric: Fin-de-Siècle Medical Discourse and Sarah Grand’s The Heavenly Twins (1893)
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    Chapter 9 Staging the ‘Private Theatre’: Gender and the Auto-Erotics of Reverie
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    Chapter 10 ’Scaping the Body: Of Cannibal Mothers and Colonial Landscapes
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    Chapter 11 Capturing the Ideal: Olive Schreiner’s From Man to Man
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    Chapter 12 ‘People Talk a Lot of Nonsense about Heredity’: Mona Caird and Anti-Eugenic Feminism
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    Chapter 13 The New Woman in Nowhere: Feminism and Utopianism at the Fin de Siècle
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    Chapter 14 The Next Generation: Stella Browne, the New Woman as Freewoman
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    Chapter 15 Women in British Aestheticism and the Decadence
Attention for Chapter 15: Women in British Aestheticism and the Decadence
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Chapter title
Women in British Aestheticism and the Decadence
Chapter number 15
Book title
The New Woman in Fiction and in Fact
Published by
Palgrave Macmillan, London, January 2002
DOI 10.1007/978-1-349-65603-5_15
Book ISBNs
978-0-333-99045-2, 978-1-349-65603-5
Authors

Regenia Gagnier

View on publisher site

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