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The New Woman in Fiction and Fact

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Cover of 'The New Woman in Fiction and Fact'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 ‘Nothing But Foolscap and Ink’: Inventing the New Woman
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    Chapter 3 ‘Heaven defend me from political or highly-educated women!’: Packaging the New Woman for Mass Consumption
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    Chapter 4 Horses, Bikes and Automobiles: New Woman on the Move
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    Chapter 5 Ibsen, the New Woman and the Actress
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    Chapter 6 ‘He-Notes’: Reconstructing Masculinity
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    Chapter 7 New Women and the New Hellenism
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    Chapter 8 Narrating the Hysteric: Fin-de-Siècle Medical Discourse and Sarah Grand’s The Heavenly Twins (1893)
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    Chapter 9 Staging the ‘Private Theatre’: Gender and the Auto-Erotics of Reverie
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    Chapter 10 ’Scaping the Body: Of Cannibal Mothers and Colonial Landscapes
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    Chapter 11 Capturing the Ideal: Olive Schreiner’s From Man to Man
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    Chapter 12 ‘People Talk a Lot of Nonsense about Heredity’: Mona Caird and Anti-Eugenic Feminism
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    Chapter 13 The New Woman in Nowhere: Feminism and Utopianism at the Fin de Siècle
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    Chapter 14 The Next Generation: Stella Browne, the New Woman as Freewoman
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    Chapter 15 Women in British Aestheticism and the Decadence
Attention for Chapter 6: ‘He-Notes’: Reconstructing Masculinity
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Chapter title
‘He-Notes’: Reconstructing Masculinity
Chapter number 6
Book title
The New Woman in Fiction and in Fact
Published by
Palgrave Macmillan, London, January 2002
DOI 10.1007/978-1-349-65603-5_6
Book ISBNs
978-0-333-99045-2, 978-1-349-65603-5
Authors

Gail Cunningham

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