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Reframing Immersive Theatre

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Cover of 'Reframing Immersive Theatre'

Table of Contents

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    Book Overview
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    Chapter 1 Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance
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    Chapter 2 On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding
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    Chapter 3 In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in Sleep No More
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    Chapter 4 Troubling Bodies in Follow the North Star
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    Chapter 5 Experiencing Michael Mayhew’s Away in a Manger: Spectatorial Immersion in Durational Performance
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    Chapter 6 Integrating Realities Through Immersive Gaming
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    Chapter 7 Negotiating the Possible Worlds of Uninvited Guests’ Make Better Please: A Hypertextual Experience
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    Chapter 8 Outdoors: A Rimini Protokoll Theatre-Maze
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    Chapter 9 Immersed in Sound: Kursk and the Phenomenology of Aural Experience
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    Chapter 10 Reflections on Immersion and Interaction
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    Chapter 11 Caravania!: Intimacy and Immersion for Family Audiences
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    Chapter 12 A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel Medea
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    Chapter 13 She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract
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    Chapter 14 The Fourth Wall and Other Ruins: Immersive Theatre as a Brand
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    Chapter 15 Immersive Performance and the Marketplace: The Hit
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    Chapter 16 Spectral Illusions: Ghostly Presence in Phantasmagoria Shows
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    Chapter 17 Playing a Punchdrunk Game: Immersive Theatre and Videogaming
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    Chapter 18 Proximity to Violence: War, Games, Glitch
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    Chapter 19 The Promise of Experience: Immersive Theatre in the Experience Economy
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    Chapter 20 Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man: A Hollywood Fable
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    Chapter 21 Coriolan/us and the Limits of ‘Immersive’
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    Chapter 22 Participation, Ecology, Cosmos
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