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Reframing Immersive Theatre

Overview of attention for book
Reframing Immersive Theatre
Palgrave Macmillan UK

Table of Contents

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    Book Overview
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    Chapter 1 Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance
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    Chapter 2 On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding
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    Chapter 3 In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in Sleep No More
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    Chapter 4 Troubling Bodies in Follow the North Star
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    Chapter 5 Experiencing Michael Mayhew’s Away in a Manger: Spectatorial Immersion in Durational Performance
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    Chapter 6 Integrating Realities Through Immersive Gaming
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    Chapter 7 Negotiating the Possible Worlds of Uninvited Guests’ Make Better Please: A Hypertextual Experience
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    Chapter 8 Outdoors: A Rimini Protokoll Theatre-Maze
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    Chapter 9 Immersed in Sound: Kursk and the Phenomenology of Aural Experience
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    Chapter 10 Reflections on Immersion and Interaction
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    Chapter 11 Caravania!: Intimacy and Immersion for Family Audiences
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    Chapter 12 A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel Medea
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    Chapter 13 She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract
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    Chapter 14 The Fourth Wall and Other Ruins: Immersive Theatre as a Brand
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    Chapter 15 Immersive Performance and the Marketplace: The Hit
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    Chapter 16 Spectral Illusions: Ghostly Presence in Phantasmagoria Shows
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    Chapter 17 Playing a Punchdrunk Game: Immersive Theatre and Videogaming
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    Chapter 18 Proximity to Violence: War, Games, Glitch
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    Chapter 19 The Promise of Experience: Immersive Theatre in the Experience Economy
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    Chapter 20 Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man: A Hollywood Fable
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    Chapter 21 Coriolan/us and the Limits of ‘Immersive’
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    Chapter 22 Participation, Ecology, Cosmos
Overall attention for this book and its chapters
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Readers on

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Title
Reframing Immersive Theatre
Published by
Palgrave Macmillan UK, January 2016
DOI 10.1057/978-1-137-36604-7
ISBNs
978-1-137-36604-7, 978-1-137-36603-0, 978-1-349-67626-2, 978-1-137-36605-4
Editors

James Frieze

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X Demographics

The data shown below were collected from the profiles of 19 X users who shared this research output. Click here to find out more about how the information was compiled.
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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 16 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 16 100%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 5 31%
Student > Doctoral Student 2 13%
Student > Bachelor 1 6%
Professor 1 6%
Student > Master 1 6%
Other 2 13%
Unknown 4 25%
Readers by discipline Count As %
Arts and Humanities 6 38%
Social Sciences 4 25%
Nursing and Health Professions 1 6%
Design 1 6%
Unknown 4 25%