↓ Skip to main content
What is this page? Embed badge

Elizabethan and Jacobean Reappropriation in Contemporary British Drama

Overview of attention for book
Cover of 'Elizabethan and Jacobean Reappropriation in Contemporary British Drama'

Table of Contents

  1. Altmetric Badge
    Book Overview
  2. Altmetric Badge
    Chapter 1 Introduction: Appropriating the Past
  3. Altmetric Badge
    Chapter 2 Why Rewrite Shakespeare and His Contemporaries?
  4. Altmetric Badge
    Chapter 3 A Host of Lears: Howard Barker’s Seven Lears , Elaine Feinstein’s Lear’s Daughters , and Sarah Kane’s Blasted
  5. Altmetric Badge
    Chapter 4 ‘Love in the Museum’: Howard Barker, the Erotic and the Elizabethan/Jacobean Text
  6. Altmetric Badge
    Chapter 5 ‘If Power Change Purpose’: Appropriation and the Shakespearian Despot
  7. Altmetric Badge
    Chapter 6 Anyone for Venice? Wesker, Marowitz, and Pascal Appropriate The Merchant of Venice
  8. Altmetric Badge
    Chapter 7 Festive Tragedy: Jez Butterworth’s Jerusalem (2009)
Attention for Chapter 5: ‘If Power Change Purpose’: Appropriation and the Shakespearian Despot
Altmetric Badge

Citations

dimensions_citation
9 Dimensions
Summary Dimensions citations
So far, Dimensions has found 9 publications that cite this research output.

9

The most recent citing publications are shown below. View all 9 publications that cite this research output on Dimensions.

This page shows the most recent citations of this research output.

Click here to find out how to access more activity.

This page is provided by Altmetric.