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Elizabethan and Jacobean Reappropriation in Contemporary British Drama

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Cover of 'Elizabethan and Jacobean Reappropriation in Contemporary British Drama'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Appropriating the Past
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    Chapter 2 Why Rewrite Shakespeare and His Contemporaries?
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    Chapter 3 A Host of Lears: Howard Barker’s Seven Lears , Elaine Feinstein’s Lear’s Daughters , and Sarah Kane’s Blasted
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    Chapter 4 ‘Love in the Museum’: Howard Barker, the Erotic and the Elizabethan/Jacobean Text
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    Chapter 5 ‘If Power Change Purpose’: Appropriation and the Shakespearian Despot
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    Chapter 6 Anyone for Venice? Wesker, Marowitz, and Pascal Appropriate The Merchant of Venice
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    Chapter 7 Festive Tragedy: Jez Butterworth’s Jerusalem (2009)
Attention for Chapter 6: Anyone for Venice? Wesker, Marowitz, and Pascal Appropriate The Merchant of Venice
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Summary
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Chapter title
Anyone for Venice? Wesker, Marowitz, and Pascal Appropriate The Merchant of Venice
Chapter number 6
Book title
Elizabethan and Jacobean Reappropriation in Contemporary British Drama
Published by
Palgrave Macmillan, London, January 2017
DOI 10.1057/978-1-137-44453-0_6
Book ISBNs
978-1-137-44452-3, 978-1-137-44453-0
Authors

Graham Saunders

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