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The Global Sixties in Sound and Vision

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Cover of 'The Global Sixties in Sound and Vision'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 A Red Noise: Pop and Politics in Post-1968 France
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    Chapter 3 Mapping Tropicália
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    Chapter 4 Magical Mystery Tours: Godard and Antonioni in America
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    Chapter 5 Turning Inwards: The Politics of Privacy in the New American Cinema
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    Chapter 6 Utopia and Dystopia in Science Fiction Films around 1968
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    Chapter 7 “Musical & Magical Counterpoint”: Language, Sound, and Image in Wallace Berman’s Aleph , 1956–1966
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    Chapter 8 Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock Music
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    Chapter 9 “The Revolution Is Over—and We Have Won!”: Alfred Hilsberg, West German Punk, and the Sixties
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    Chapter 10 The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records
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    Chapter 11 “A Weapon in Our Struggle for Liberation”: Black Arts, Black Power, and the 1969 Pan-African Cultural Festival
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    Chapter 12 The Revolution Will Not Be Televised, But It Will Be Recorded: Soul, Funk, and the Black Urban Experience, 1968–1979
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    Chapter 13 Jukebox Modernism: The Transatlantic Sight and Sound of Peter Blake’s Got a Girl (1960–1961)
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    Chapter 14 Uninteresting Pictures: Art and Technocracy, 1968
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    Chapter 15 1968 and the Future of Information
Attention for Chapter 14: Uninteresting Pictures: Art and Technocracy, 1968
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Chapter title
Uninteresting Pictures: Art and Technocracy, 1968
Chapter number 14
Book title
The Global Sixties in Sound and Vision
Published by
Palgrave Macmillan, New York, January 2014
DOI 10.1057/9781137375230_14
Book ISBNs
978-1-349-47726-5, 978-1-137-37523-0
Authors

Joshua Shannon, Shannon, Joshua

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