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The Global Sixties in Sound and Vision

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Cover of 'The Global Sixties in Sound and Vision'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 A Red Noise: Pop and Politics in Post-1968 France
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    Chapter 3 Mapping Tropicália
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    Chapter 4 Magical Mystery Tours: Godard and Antonioni in America
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    Chapter 5 Turning Inwards: The Politics of Privacy in the New American Cinema
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    Chapter 6 Utopia and Dystopia in Science Fiction Films around 1968
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    Chapter 7 “Musical & Magical Counterpoint”: Language, Sound, and Image in Wallace Berman’s Aleph , 1956–1966
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    Chapter 8 Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock Music
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    Chapter 9 “The Revolution Is Over—and We Have Won!”: Alfred Hilsberg, West German Punk, and the Sixties
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    Chapter 10 The Sun and Moon Have Come Together: The Fourth Way, the Counterculture, and Capitol Records
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    Chapter 11 “A Weapon in Our Struggle for Liberation”: Black Arts, Black Power, and the 1969 Pan-African Cultural Festival
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    Chapter 12 The Revolution Will Not Be Televised, But It Will Be Recorded: Soul, Funk, and the Black Urban Experience, 1968–1979
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    Chapter 13 Jukebox Modernism: The Transatlantic Sight and Sound of Peter Blake’s Got a Girl (1960–1961)
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    Chapter 14 Uninteresting Pictures: Art and Technocracy, 1968
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    Chapter 15 1968 and the Future of Information
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Citations

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Title
The Global Sixties in Sound and Vision
Published by
Springer, May 2014
DOI 10.1057/9781137375230
ISBNs
978-1-137-37523-0, 978-1-349-47726-5
Editors

Brown, Timothy Scott, Lison, Andrew

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X Demographics

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 17 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Spain 1 6%
Unknown 16 94%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 5 29%
Student > Master 3 18%
Student > Bachelor 3 18%
Lecturer > Senior Lecturer 1 6%
Other 1 6%
Other 2 12%
Unknown 2 12%
Readers by discipline Count As %
Arts and Humanities 10 59%
Psychology 2 12%
Social Sciences 2 12%
Unknown 3 18%