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Theatre from Rhodesia to Zimbabwe

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Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Contested Forms, Spaces and the Politics of Representation in Zimbabwean Theatre—A Historical Perspective
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    Chapter 2 Colonial Zimbabwean Theatre, Cultural Production and the Interplay with Rhodesian Power and Discourse
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    Chapter 3 Negotiating Whitehood: Identity and Resistance in Rhodesian Theatre 1950–1980
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    Chapter 4 Transformative Complexity of Found Objects in Devised Zimbabwean Theatre
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    Chapter 5 Amakhosi Theatre Training (1990–2000): An Exercise in Syncretism
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    Chapter 6 Contestation in Postcolonial Drama: Residual and Emergent Consciousness in Zimbabwean Theatre at Independence—NTO and ZACT
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    Chapter 7 Creating Counter-Public Sphere(s): Performance in Zimbabwe Between the Influence of Mugabe and Western NGOs
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    Chapter 8 ‘I Was Never a White Girl and I Do Not Want to Be a White Girl’: Albinism, Youth Theatre and Disability Politics in Contemporary Zimbabwe
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    Chapter 9 Popular Theatre as a Struggle for Identity and Representation in Matabeleland: 1980 to the Present
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    Chapter 10 Harnessing the Whirlwind: Hybridity, Memory and Crisis in Theatre During Zimbabwe’s Operation Murambatsvina
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    Chapter 11 Towards a Democratic Protest Theatre in Zimbabwe: Vhitori Entertainment’s Protest Revolutionaries (2012)
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    Chapter 12 Who is Indigenous? Freeing Indigeneity from a Time Warp
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Theatre from Rhodesia to Zimbabwe
Published by
Springer Nature, January 2021
DOI 10.1007/978-3-030-74594-3
978-3-03-074594-3, 978-3-03-074593-6

Ravengai, Samuel, Seda, Owen

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