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Reassessing the theatre of the absurd : Camus, Beckett, Ionesco, Genet, and Pinter
Overview of attention for book
Table of Contents
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Book Overview
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Chapter 1
Introduction: Reassessing the Theatre of the Absurd
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Chapter 2
The Parable of Estragon’s Struggle with the Boot in Samuel Beckett’s Waiting for Godot
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Chapter 3
The Pinteresque Oedipal Household: The Interrogation Scene(s) in The Birthday Party
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Chapter 4
The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
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Chapter 5
Berenger, The Sisyphean Hero
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Chapter 6
Conclusion: Theorizing a “Female Absurd” in Beth Henley’s Crimes of the Heart as Means of Reassessing the Theatre of the Absurd
Overall attention for this book and its chapters
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Mentioned by
twitter
1
X user
syllabi
2
institutions with syllabi
wikipedia
4
Wikipedia pages
Citations
dimensions_citation
54
Dimensions
Readers on
mendeley
15
Mendeley
Book overview
1. Introduction: Reassessing the Theatre of the Absurd
2. The Parable of Estragon’s Struggle with the Boot in Samuel Beckett’s Waiting for Godot
3. The Pinteresque Oedipal Household: The Interrogation Scene(s) in The Birthday Party
4. The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
5. Berenger, The Sisyphean Hero
6. Conclusion: Theorizing a “Female Absurd” in Beth Henley’s Crimes of the Heart as Means of Reassessing the Theatre of the Absurd
Summary
X
Syllabi
Wikipedia
Dimensions citations
This data is correct as of December 2015 - for more up to date information, please visit
https://opensyllabus.org/
So far, Altmetric has seen this research output assigned in
6
syllabi from
2
institutions on Open Syllabus Project.
Institution
Syllabi count
Course subject areas covered
The Manchester Metropolitan University
2
Unknown
Unknown
4
Unknown