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Reassessing the theatre of the absurd : Camus, Beckett, Ionesco, Genet, and Pinter

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Cover of 'Reassessing the theatre of the absurd : Camus, Beckett, Ionesco, Genet, and Pinter'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Reassessing the Theatre of the Absurd
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    Chapter 2 The Parable of Estragon’s Struggle with the Boot in Samuel Beckett’s Waiting for Godot
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    Chapter 3 The Pinteresque Oedipal Household: The Interrogation Scene(s) in The Birthday Party
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    Chapter 4 The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
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    Chapter 5 Berenger, The Sisyphean Hero
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    Chapter 6 Conclusion: Theorizing a “Female Absurd” in Beth Henley’s Crimes of the Heart as Means of Reassessing the Theatre of the Absurd
Attention for Chapter 4: The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
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Chapter title
The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
Chapter number 4
Book title
Reassessing the Theatre of the Absurd
Published by
Palgrave Macmillan, New York, January 2011
DOI 10.1057/9780230118829_4
Book ISBNs
978-1-349-29520-3, 978-0-230-11882-9
Authors

Michael Y. Bennett

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