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Reassessing the theatre of the absurd : Camus, Beckett, Ionesco, Genet, and Pinter

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Cover of 'Reassessing the theatre of the absurd : Camus, Beckett, Ionesco, Genet, and Pinter'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Reassessing the Theatre of the Absurd
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    Chapter 2 The Parable of Estragon’s Struggle with the Boot in Samuel Beckett’s Waiting for Godot
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    Chapter 3 The Pinteresque Oedipal Household: The Interrogation Scene(s) in The Birthday Party
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    Chapter 4 The Parable of the White Clown: The Use of Ritual in Jean Genet’s The Blacks: A Clown Show
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    Chapter 5 Berenger, The Sisyphean Hero
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    Chapter 6 Conclusion: Theorizing a “Female Absurd” in Beth Henley’s Crimes of the Heart as Means of Reassessing the Theatre of the Absurd
Attention for Chapter 6: Conclusion: Theorizing a “Female Absurd” in Beth Henley’s Crimes of the Heart as Means of Reassessing the Theatre of the Absurd
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