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Barrie Kosky’s Transnational Theatres

Overview of attention for book
Cover of 'Barrie Kosky’s Transnational Theatres'

Table of Contents

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    Book Overview
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    Chapter 1 It Begins with the Theatre: Barrie Kosky’s Workshop
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    Chapter 2 “Very Much a Laboratory”: Barrie Kosky and the Gilgul Ensemble 1991–1997
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    Chapter 3 “Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky
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    Chapter 4 Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival
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    Chapter 5 Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’s Approach to Character
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    Chapter 6 When All Else Fails, Sing: Barrie Kosky’s The Women of Troy
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    Chapter 7 Barrie Kosky’s Grotesques and the Ecstasy of Theatre
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    Chapter 8 “Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg
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    Chapter 9 (Not) Repeating the Past in Barrie Kosky’s Die Meistersinger von Nürnberg
Attention for Chapter 8: “Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg
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Chapter title
“Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg
Chapter number 8
Book title
Barrie Kosky’s Transnational Theatres
Published by
Springer, Cham, July 2021
DOI 10.1007/978-3-030-75028-2_8
Book ISBNs
978-3-03-075027-5, 978-3-03-075028-2
Authors

Halliwell, Michael J.

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Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 1 Mendeley reader of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
Unknown 1 100%

Demographic breakdown

Readers by professional status Count As %
Unspecified 1 100%
Readers by discipline Count As %
Unspecified 1 100%

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