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Barrie Kosky’s Transnational Theatres

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Cover of 'Barrie Kosky’s Transnational Theatres'

Table of Contents

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    Book Overview
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    Chapter 1 It Begins with the Theatre: Barrie Kosky’s Workshop
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    Chapter 2 “Very Much a Laboratory”: Barrie Kosky and the Gilgul Ensemble 1991–1997
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    Chapter 3 “Aesthetic Ideas”: Mystery and Meaning in the Early Work of Barrie Kosky
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    Chapter 4 Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival
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    Chapter 5 Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’s Approach to Character
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    Chapter 6 When All Else Fails, Sing: Barrie Kosky’s The Women of Troy
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    Chapter 7 Barrie Kosky’s Grotesques and the Ecstasy of Theatre
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    Chapter 8 “Es klang so alt und war doch so neu”: Barrie Kosky and Wagner’s Die Meistersinger von Nürnberg
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    Chapter 9 (Not) Repeating the Past in Barrie Kosky’s Die Meistersinger von Nürnberg
Attention for Chapter 4: Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival
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Chapter title
Something for Everybody? Art, Community, the Unfamiliar, and Barrie Kosky at the Adelaide Festival
Chapter number 4
Book title
Barrie Kosky’s Transnational Theatres
Published by
Springer, Cham, July 2021
DOI 10.1007/978-3-030-75028-2_4
Book ISBNs
978-3-03-075027-5, 978-3-03-075028-2
Authors

Severn, John R.

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