A NIME Reader

Table of Contents

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   Book Overview
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   Chapter 1 2001: Principles for Designing Computer Music Controllers
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   Chapter 2 2001: Problems and Prospects for Intimate Musical Control of Computers
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   Chapter 3 2002: The Importance of Parameter Mapping in Electronic Instrument Design
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   Chapter 4 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing
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   Chapter 5 2002: The Plank: Designing a Simple Haptic Controller
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   Chapter 6 2003: Contexts of Collaborative Musical Experiences
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   Chapter 7 2003: Sonigraphical Instruments: From FMOL to the reacTable*
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   Chapter 8 2003: Designing, Playing, and Performing with a Vision-Based Mouth Interface
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    Chapter 9 2003: OpenSound Control: State of the Art 2003
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    Chapter 10 2004: The Electronic Sitar Controller
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    Chapter 11 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
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    Chapter 12 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments
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    Chapter 13 2004: On-the-Fly Programming: Using Code as an Expressive Musical Instrument
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    Chapter 14 2005: Towards a Dimension Space for Musical Devices
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    Chapter 15 2005: The Overtone Violin
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    Chapter 16 2006: Sensemble: A Wireless, Compact, Multi-user Sensor System for Interactive Dance
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    Chapter 17 2006: Mobile Music Technology: Report on an Emerging Community
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    Chapter 18 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy
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    Chapter 19 2007: Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control
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    Chapter 20 2007: Expression and Its Discontents: Toward an Ecology of Musical Creation
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    Chapter 21 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments
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    Chapter 22 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives
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    Chapter 23 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide
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    Chapter 24 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform
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    Chapter 25 2012: The Fingerphone: A Case Study of Sustainable Instrument Redesign
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    Chapter 26 2012: To Be Inside Someone Else’s Dream: Music for Sleeping and Waking Minds
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    Chapter 27 2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard
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    Chapter 28 2013: The Web Browser as Synthesizer and Interface
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    Chapter 29 2014: To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013
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    Chapter 30 2015: Fourteen Years of NIME: The Value and Meaning of ‘Community’ in Interactive Music Research