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A NIME Reader

Overview of attention for book
Cover of 'A NIME Reader'

Table of Contents

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    Book Overview
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    Chapter 1 2001: Principles for Designing Computer Music Controllers
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    Chapter 2 2001: Problems and Prospects for Intimate Musical Control of Computers
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    Chapter 3 2002: The Importance of Parameter Mapping in Electronic Instrument Design
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    Chapter 4 2002: Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing
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    Chapter 5 2002: The Plank: Designing a Simple Haptic Controller
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    Chapter 6 2003: Contexts of Collaborative Musical Experiences
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    Chapter 7 2003: Sonigraphical Instruments: From FMOL to the reacTable*
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    Chapter 8 2003: Designing, Playing, and Performing with a Vision-Based Mouth Interface
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    Chapter 9 2003: OpenSound Control: State of the Art 2003
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    Chapter 10 2004: The Electronic Sitar Controller
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    Chapter 11 2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis
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    Chapter 12 2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments
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    Chapter 13 2004: On-the-Fly Programming: Using Code as an Expressive Musical Instrument
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    Chapter 14 2005: Towards a Dimension Space for Musical Devices
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    Chapter 15 2005: The Overtone Violin
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    Chapter 16 2006: Sensemble: A Wireless, Compact, Multi-user Sensor System for Interactive Dance
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    Chapter 17 2006: Mobile Music Technology: Report on an Emerging Community
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    Chapter 18 2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy
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    Chapter 19 2007: Don’t Forget the Laptop: Using Native Input Capabilities for Expressive Musical Control
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    Chapter 20 2007: Expression and Its Discontents: Toward an Ecology of Musical Creation
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    Chapter 21 2007: The Acoustic, the Digital and the Body: A Survey on Musical Instruments
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    Chapter 22 2008: Eight Years of Practice on the Hyper-Flute: Technological and Musical Perspectives
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    Chapter 23 2009: A History of Hemispherical Speakers at Princeton, Plus a DIY Guide
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    Chapter 24 2011: Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform
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    Chapter 25 2012: The Fingerphone: A Case Study of Sustainable Instrument Redesign
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    Chapter 26 2012: To Be Inside Someone Else’s Dream: Music for Sleeping and Waking Minds
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    Chapter 27 2012: TouchKeys: Capacitive Multi-touch Sensing on a Physical Keyboard
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    Chapter 28 2013: The Web Browser as Synthesizer and Interface
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    Chapter 29 2014: To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001–2013
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    Chapter 30 2015: Fourteen Years of NIME: The Value and Meaning of ‘Community’ in Interactive Music Research
Overall attention for this book and its chapters
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Mentioned by

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18 X users
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12 Wikipedia pages

Citations

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46 Dimensions

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Title
A NIME Reader
Published by
Springer International Publishing, January 2017
DOI 10.1007/978-3-319-47214-0
ISBNs
978-3-31-947213-3, 978-3-31-947214-0
Editors

Alexander Refsum Jensenius, Michael Lyons

X Demographics

X Demographics

The data shown below were collected from the profiles of 18 X users who shared this research output. Click here to find out more about how the information was compiled.
Mendeley readers

Mendeley readers

The data shown below were compiled from readership statistics for 41 Mendeley readers of this research output. Click here to see the associated Mendeley record.

Geographical breakdown

Country Count As %
United Kingdom 1 2%
Unknown 40 98%

Demographic breakdown

Readers by professional status Count As %
Student > Ph. D. Student 8 20%
Student > Doctoral Student 5 12%
Unspecified 3 7%
Student > Bachelor 3 7%
Other 3 7%
Other 8 20%
Unknown 11 27%
Readers by discipline Count As %
Arts and Humanities 13 32%
Computer Science 8 20%
Unspecified 3 7%
Engineering 2 5%
Veterinary Science and Veterinary Medicine 1 2%
Other 2 5%
Unknown 12 29%