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Theatre and Human Rights after 1945

Overview of attention for book
Cover of 'Theatre and Human Rights after 1945'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Theatre and the Rise of Human Rights
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    Chapter 2 Unspeakable Tragedies: Censorship and the New Political Theatre of the Algerian War of Independence
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    Chapter 3 Beyond Articulation: Brian Friel, Civil Rights, and the Northern Irish Conflict
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    Chapter 4 ‘Lapsing into Democracy’: Magnet Theatre and the Drama of Unspeakability in the New South Africa
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    Chapter 5 The Great Australian Silence: Aboriginal Theatre and Human Rights
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    Chapter 6 Disappearing History: Listening and Trauma in Ariel Dorfman’s Death and the Maiden
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    Chapter 7 Hungry Ghosts and Inalienable Remains: Performing Rights of Repatriation
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    Chapter 8 Representing Genocide at Home: Ishi, Again
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    Chapter 9 The Politics of Telling and Workers’ Rights: the Case of Mike Daisey
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    Chapter 10 Gender-based Violence and Human Rights: Participatory Theatre in Post-Genocide Rwanda
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    Chapter 11 Jalila Baccar and Tunisian Theatre: ‘We Will Not Be Silent’
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    Chapter 12 Defixio: Disability and the Speakable Legacy of John Belluso
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    Chapter 13 Theatre and Elder Abuse
Attention for Chapter 6: Disappearing History: Listening and Trauma in Ariel Dorfman’s Death and the Maiden
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Summary
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Chapter title
Disappearing History: Listening and Trauma in Ariel Dorfman’s Death and the Maiden
Chapter number 6
Book title
Theatre and Human Rights after 1945
Published by
Palgrave Macmillan, London, January 2015
DOI 10.1057/9781137362308_6
Book ISBNs
978-1-349-57874-0, 978-1-137-36230-8
Authors

Cathy Caruth

View on publisher site

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