Chapter 1 Collaborative Performance-Making in Context

Chapter 2 Contemporary Collaborations and Cautionary Tales

Chapter 3 Collaboration, Democracy and the Total Artwork

Chapter 4 I Want to Work With You Because I Can Speak for Myself: The Potential of Postconsensual Collaboration in Choreographic Practice

Chapter 5 Since Each of Us Was Several: Collaboration in the Context of the Differential Self

Chapter 6 Collaboration as a Mode of Labour

Chapter 7 Ten Propositions for Research-Creation

Chapter 8 Rowing to Hilversum: Double Vision in Performance and Architecture

Chapter 9 The Author of the Gift: The Practice of Authorship

Chapter 10 Asking ‘What is Collaboration?’ on Behalf of Jerzy Grotowski

Chapter 11 Te Kore and the Encounter of Performance

Chapter 12 ‘Nothing About Us Without Us’: Collaborations between Disabled and Non-Disabled Practitioners

Chapter 13 Positive Negatives: Or the Subtle Arts of Compromise

Chapter 15 Productive Misapprehensions: Artscross as a Cross-Cultural Collaborative Zone of Contestation of Contemporary Dance Practice