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Popular Fiction and Spatiality

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Cover of 'Popular Fiction and Spatiality'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction: Space, Place, and Popular Fiction
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    Chapter 2 Cave Genres/Genre Caves: Reading the Subterranean Thriller
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    Chapter 3 Unstable Places and Generic Spaces: Thrillers Set in Antarctica
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    Chapter 4 Chronotopic Reading of Crime Fiction: Montréal in La Trace de l’Escargot
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    Chapter 5 Romance in the Backblocks in New Zealand Popular Fiction, 1930–1950: Mary Scott’s Barbara Stories
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    Chapter 6 The Inside Story: Jennifer Crusie and the Architecture of Love
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    Chapter 7 Ghost-Al Erosion: Beaches and the Supernatural in Two Stories by M.R. James
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    Chapter 8 Pagan Places: Contemporary Paganism, British Fantasy Fiction, and the Case of Ryhope Wood
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    Chapter 9 Tolkien’s Geopolitical Fantasy: Spatial Narrative in The Lord of the Rings
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    Chapter 10 Commuting to Another World: Spaces of Transport and Transport Maps in Urban Fantasy
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    Chapter 11 Mapping Monstrosity: Metaphorical Geographies in China Miéville’s Bas-Lag Trilogy
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    Chapter 12 Air Force One: Popular (Non)fiction in Flight
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    Chapter 13 States of Nostalgia in the Genre of the Future: Panem, Globalization, and Utopia in The Hunger Games Trilogy
Attention for Chapter 6: The Inside Story: Jennifer Crusie and the Architecture of Love
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