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American Women's Regionalist Fiction

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Cover of 'American Women's Regionalist Fiction'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 The Uncanny Regionalism of Harriet Prescott Spofford’s “Circumstance”
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    Chapter 3 New England Gothic/New England Guilt: Mary Wilkins Freeman and the Salem Witchcraft Episode
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    Chapter 4 Sarah Orne Jewett’s New England Gothic and the Uncanny Durability of Imperial History
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    Chapter 5 Local Habitations as Gothic Terrain in Rose Terry Cooke
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    Chapter 6 Hallowed Ground: The Gothic New England of Sarah Orne Jewett and Mary Wilkins Freeman
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    Chapter 7 A New-England Kind of “Fetch”: The Vampire-Witch in Edith Wharton’s Gothic Fiction
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    Chapter 8 Haunted Homesteads: E.D.E.N. Southworth’s Dual Gothic
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    Chapter 9 “That Dim Abode”: Uncanny Region in Davis’s “The Tragedy of Fauquier”
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    Chapter 10 The Gothic and the “Southern Lady”: Catherine Warfield’s The Household of Bouverie
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    Chapter 11 Gothic Chopin: Negotiating Realism’s Divide in Bayou Folk
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    Chapter 12 Hoodoo and Voodoo in Zora Neale Hurston’s Gothic Stories and Folktales
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    Chapter 13 Alice Cary’s Mundane Musings and Rural Hauntings
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    Chapter 14 Gothic Spaces and the Nation in Constance Fenimore Woolson’s Tales of the Great Lakes and Reconstruction
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    Chapter 15 Specters of the Great Plains: My Ántonia as a Gothic Regionalist Novel
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    Chapter 16 Emma Frances Dawson’s Urban California Gothic
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    Chapter 17 Mary Austin’s California Gothic
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    Chapter 18 “It Will Haunt the Reader after the Others Have Faded into the Mist”: The Gothic West of Ella Rhoads Higginson’s “In the Bitter Root Mountains”
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    Chapter 19 Zitkala-Ša’s Indigenous Gothicism
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Title
American Women's Regionalist Fiction
Published by
Springer International Publishing, December 2020
DOI 10.1007/978-3-030-55552-8
ISBNs
978-3-03-055551-1, 978-3-03-055552-8
Editors

Monika Elbert, Rita Bode

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