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Animation and Memory

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Cover of 'Animation and Memory'

Table of Contents

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    Book Overview
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    Chapter 1 Introduction
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    Chapter 2 Memoria Rerum: Animated Materiality, Memory, and Amnesia
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    Chapter 3 Montages of Memory: Collage, Memory, and Gender in the Films of Stacey Steers
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    Chapter 4 Animating Amnesia: The Materiality of Forgetting in Izabela Plucin´ska’s Liebling
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    Chapter 5 “A Printing Machine for the Memory”: Stillness, Metamorphosis, and the Poiesis of Memory in Ruth Lingford’s Death and the Mother
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    Chapter 6 Drawing on Memory: Layers of Association in Robert Breer’s Animated Films
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    Chapter 7 Antumbral Memory: A Psychosomatic Phenomenon in Phantom Limb
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    Chapter 8 “Nothing But Paper and Ink”: Metamorphosis, Memory, and Trauma in The Hat
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    Chapter 9 Stan Douglas and the Animation of Vancouver’s Urban Past
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    Chapter 10 Cinema Emek, Cinema Labour, Cinema Travail: The Revitalization of Istanbul’s Urban Past and the Emek Theater as a Lieu de Mémoire
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    Chapter 11 “However It Affects You, It Does Not Have to Hold You Back”: Animated Personal Accounts in CBBC’s Newsround Special “My Autism and Me” and the Prosthetic Memory of Disability and Ablement
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    Chapter 12 Animated Documentary and the Reclamation of Lost Pasts and Forgotten Memory in Irinka and Sandrinka and Waltz with Bashir
Attention for Chapter 8: “Nothing But Paper and Ink”: Metamorphosis, Memory, and Trauma in The Hat
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